So, who better to get than Tim Jacobus to do the actual artwork? We reached out to him and I was totally anticipating not getting a response. “I grew up in the late 80s and 90s, I collected Goosebumps books. In fact, their recent Goosebumps release was a big moment for Kevin, in particular because it included brand new artwork from the original Goosebumps artist: Whether it’s connecting with major studios to secure the rights to blockbuster soundtracks or working with the family of the late Florian Fricke for their release of Nosferatu, Kevin and Suzy are dedicated to bringing their customers an authentic, new way to experience their favorite movies.Īs fans themselves, they often know exactly what their customers want. Those collaborations are the real magic behind Waxwork Records. Packaged with gorgeous artwork and custom-printed vinyl, Kevin and Suzy’s records are every collector’s daydream: Exclusive, limited edition memorabilia made in collaboration with the film’s original artists and composers. That’s the idea at the center of Waxwork Records: Vinyl isn’t just another way to listen to music, it’s an experience in and of itself. I think Neil Young said it best: People don’t have MP3 listening parties. Something that Kevin thinks lends itself well to creating unique experiences for customers. Its hisses and blips are a far cry from digital audio’s processed perfection, giving songs recorded decades ago a sense of intimacy. Vinyl’s rawness and unpredictability are its greatest strengths. That’s why vinyl is something that I just enjoy more than CDs or MP3s. I like seeing a band play, a string on the guitar breaks, and they just keep going for it. “I come from a punk rock background and I come from the school of thought that the dirtier and more raw something is, the better. Even though the equipment sales barely made a dent in their budget, the two were dead-set on turning something that they were crazy about into a real, sustainable business. Pressing vinyl takes time, patience, and money, so Kevin and Suzy started selling off old music gear to raise money for their first run. So, we took a big risk and just started doing it.” I was like: We should do something like this. “I loved being in the recording studio I loved vinyl and the entire process of making a record. Suzy worked with Kevin’s dad in a photography studio before buying the business and running it herself in 2010.īut Waxwork Records didn’t really take shape until Suzy bought Kevin a set of vinyl horror soundtracks for Christmas and the gift sparked an idea for a something bigger. Kevin spent years in a punk band and had a gig as a cremator. Take a quick look at Kevin and Suzy’s resumes and Waxwork Records might seem like it was inevitable. Over the past three-and-a-half years, Waxwork Records has catapulted Kevin and Suzy from the world of New Orleans punk rock to rubbing shoulders with film legends like Martin Scorsese and George Romero.Īnd it all started with a Christmas gift. Their business, Waxwork Records, re-issues classic vinyl soundtracks from cult films like Rosemary’s Baby and The Warriors, carving out a niche audience of horror and sci-fi superfans looking to own a slice of the movies that the love. Meet Waxwork Recordsįor Kevin Bergeron and Suzy Soto, selling vinyl online came as a natural way to combine two of their greatest passions: Horror movies and great music. And on the frontlines of this shift are ambitious entrepreneurs fighting to feed the world’s growing demand for vinyl. Last year, records generated more revenue than ad-supported streaming services like Spotify-sales of vinyl LPs and EPs actually hit their highest levels since 1988.Īs streaming services continue to push ownership further from the hands of fans, it seems like customers are more eager than ever to take home real, physical pieces of music. While vinyl’s resurgence might’ve started in dorm rooms and hip hotspots, it’s ended up in the homes-and hearts-of people everywhere.įads like frosted tips and the Macarena are bound to stay locked away in their respective decades, but vinyl’s warm textures keep drawing listeners back. Or a broken speaker churning Morrissey out of a Montreal storefront. Maybe you imagine try-hard undergrads decorating their apartments with unopened LPs. What comes to mind when you think about vinyl records?
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |